It also highlights some of Company of Heroes 3’s best new units, with the Deutsche Afrika Korps recovery vehicle a standout, bringing life back to destroyed tanks across the battlefield, allowing you to quickly amass an army of vehicular superiority. The campaign, focused on German commander Erwin Rommel, offers plenty of mission variety, with tank-heavy combat and great map design taking centre stage.
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Despite being much shorter, taking around 6 hours to complete, the scripted missions boast some of the best gameplay the series has ever offered. If the dynamic campaign sounds like too much work, the North Africa campaign offers a traditional Company of Heroes experience. All that aside, when the dynamic campaign is good, it’s really good, and for a series that’s rested on its foundations for so long, it’s great to see Relic try something new with the Company of Heroes formula. It wouldn’t be too bad if not completing these challenges meant you just didn’t get rewarded, but ignoring requests can negatively affect your relationships, making unlocking new perks much more difficult. The problem is, most of the time, commanders will ask you to help in locations you have no chance of reaching before the time runs out. Allied commanders provide support throughout the campaign, and by completing missions for them, you can access bonuses and support perks. It’s not just the enemy that occasionally makes questionable choices.
Enemy AI doesn’t always seem to apply critical thinking to their moves either, and, especially during the first few hours, it’s easy to steamroll across the map without much challenge from occupied forces. In a game that prides itself on frantic RTS gameplay, it’s strange to wait so long for enemies to move their squads across the map, making for a sometimes cumbersome experience. Perhaps my biggest complaint throughout this mode was how occasionally sluggish movements felt. That said, you could choose to reinforce your troops with naval bombardments – or the help of British-Indian artillery – which could sway the battle in your favour.ĭecision-making like this makes the 30-hour or so campaign an absolute breeze to play through, even if it’s not always a smooth ride.
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For example, sending a squad of battle-weary paratroopers to free a critical town is often a recipe for disaster, so sending them for some R&R before returning them to the frontline makes more sense than risking a squad of soldiers.
Sweeping your forces across the overworld to free towns, destroying enemy roadblocks and intercepting German detachments before going toe-to-toe in skirmishes and scripted missions adds a new layer of tactical gameplay not seen in the series previously. Between skirmishes, letters from soldiers tell tales of their victories, defeats and everything in between, whilst both campaigns explore the cruelty of war from both ends of the spectrum.ĭespite a traditional campaign providing a ‘true’, more linear, Company of Heroes experience, the Italian campaign features an expansive, dynamic map, combining the more familiar Company of Heroes experience with turn-based strategy elements more akin to Civilisation. Across both campaigns, the level of destruction caused by the extent of WW2 brutally echoes – Italian villages lie crumbling, coastal towns along the Riviera suffer under the weight of constant bombardments from the sea, the dunes of Africa littered with the ghostly remains of both Axis and Allied tanks. Not that it has much competition, but with almost two decades of the Company of Heroes series being the premier modern-era RTS experience, it’s easy to see why other genre developers leave handling this particular point in history to the experts.Īnd once again, Relic has created an entry that boasts its signature tactical combat while successfully depicting the emotional weight of one of the most critical turning points in modern history. In some respects, Relic’s latest World War 2 RTS feels like an extension of its predecessors, but thanks to some fantastic new features, it’s one of the most impressive RTS’ to grace the genre.
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